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Year:
Brand rescue → sold out shows
Client:
Sexpo Australia
Year:
2023
Events & entertainment · National · Sydney and Melbourne
Two months out from opening night. A rebrand that had gone wrong. No time for a new shoot. And an internal situation that was, to put it plainly, a mess.
That's what I walked into.
The Situation
Sexpo had undergone a significant brand repositioning - a push toward inclusivity and wellness that, in execution, had stripped out everything that made the event worth attending.
The creative was soft. The messaging was safe. The energy was gone.
The audience that had always come felt alienated. The new audience the rebrand was trying to attract wasn't convinced. And with weeks until the first event, ticket sales weren't where they needed to be.
The rebrand hadn't failed because inclusivity was the wrong direction. It had failed because in trying to be welcoming, it forgot to be interesting.
The Work
No budget for a new shoot. No time to rebuild from scratch.
So we didn't.
The stage show - directed and choreographed by one of Australia's leading performance directors - had its own shoot. Vibrant, immersive, unapologetically bold. Exactly the energy the brand needed and had been trying to design its way out of.
We repositioned the entire campaign around those assets.
At the same time, the marketing budget was reassessed and reallocated from the ground up. Out-of-home placements were identified and locked in. Guerrilla marketing activated at street level in key locations. The existing database was leveraged for direct outreach. Paid ads rebuilt around the new creative direction.
The message shifted from "celebrating what makes you, you" to something that felt like what Sexpo actually was — unlike anything you've seen before.
The Internal Reality
There was resistance. There always is when you're walking back a decision someone made with conviction.
The work wasn't just strategic, it was navigating competing opinions, a compressed timeline, and the particular pressure of a live event that couldn't be moved.
The ability to move fast, hold a clear position under pressure, and get alignment on the right direction quickly — that's what this situation required.
The Outcome
Sydney — sold out.
Melbourne — sold out.
The stage performances received exceptional audience feedback. The repositioned creative cut through. And an event that was tracking toward a commercially difficult opening found its audience in time.
What this work is
Not a rebrand. Not a rescue in the traditional sense.
A fast, clear-eyed assessment of what already existed, what the audience actually wanted, and what needed to change in the time available.
Signal found. Noise cut. Shows sold.

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